Andrew Pringle is a producer, songwriter, composer, and music architect based in San Diego, California.
Raised in the Southern California independent music scene of the 90s, he came up through live shows, DIY spaces, and long studio nights, building his foundation from the ground up. Before formal training, he interned and worked at Love Juice Labs, where he developed his ear and technical approach in a real studio environment. That hands on experience became the backbone of a career that has now spanned nearly three decades of digital recording and production.
Andrew later studied music composition, music production, and music marketing, refining what he had already built through experience. His musical foundation goes back even further, with formal training in choir and piano throughout school and college, along with early piano study under his mother, a lifelong piano teacher.
Across that time, he has worked in and across genres including punk, indie, hip hop, R&B, progressive rock, electronic, folk, and heavy music. He has toured nationally in multiple bands as a lead singer, lead guitarist, and pianist, and led a bluegrass project as both frontman and primary songwriter, holding a residency at The Lighthouse Café.
In addition to his primary instruments, he has been featured on drums across rock, reggae, gospel, metal, punk, and hardcore projects, further reflecting the range and adaptability of his musicianship.
His work spans stage, studio, and composition. He has produced a gold selling artist, worked under recording contracts, and contributed to projects featured on radio, in print, and in film. As a composer, he focuses on creating music that supports narrative and emotion, understanding how sound functions within a larger story.
Today, as the founder of Ghostnote Collective and Blackroom Audio, Andrew focuses on helping independent artists take raw ideas and turn them into complete, intentional bodies of work. His approach blends creativity with structure, shaped by a lifetime of experience on both sides of the glass.
His work is grounded in independence, built through experience, and driven by the belief that artists should be able to move on their own terms.